Obligatory contour principle - Wikipedia A particular instance of the OCP is Meeussen's rule (Goldsmith 1984), named after the Belgian Bantu specialist A E Meeussen, which has been used to explain how a sequence HH tones becomes HL in various Bantu languages
Obligatory contour principle — Grokipedia In Niger-Congo languages, the Obligatory Contour Principle (OCP) manifests prominently in tonal systems through processes that avoid adjacent identical tones, particularly high-high (HH) sequences, often resulting in terracing or downstep
The Obligatory Contour Principle and Phonological Rules: A Loss of Identity My primary example will be taken from English, which exhibits widespread evidence of OCP effects involving the Coronal node Violations are resolved in several ways, including epenthesis, deletion of one matrix (degemination), and spread- ing of the Coronal node (assimilation of Place features)
Obligatory Contour Principle The Obligatory Contour Principle (OCP) is a phonological hypothesis that states that (certain) consecutive identical features are banned in underlying representations A commonly held conception within phonology is that no morpheme is allowed to contain two consecutive high tones
On the Role of the Obligatory Contour Principle in Phonological Theory It is argued here that the strongest form of the OCP is falsified by a number of languages which distinguish single vs multiple tones associated with a sequence of vowels The language-particular violations of the OCP constitute a strong argument for the full power of autosegmental phonology
The OCP: A summary (2) Obligatory Contour Principle (OCP) At the melodic level of the grammar, any two adjacent tonemes must be distinct ŸHHL is not a possible melodic paern; it automatically simplifies to HL
Obligatory contour principle explained A particular instance of the OCP is Meeussen's rule, named after the Belgian Bantu specialist A E Meeussen, which has been used to explain how a sequence HH tones becomes HL in various Bantu languages
Hyman Bantu Tone Handbook Chapter2 V3 - DocsLib In a number of Eastern Bantu languages a final H tone becomes a HL falling tone, ultimately a lowered fall which, although often hard to hear, contrasts with L (or Ø)