Conversations Journal | Conversatio Divina Conversations Journal is a forum for authentic transformation as a result of honest dialogue among friends about living life in the Kingdom of God and how real change happened in their lives—and why it didn’t
Index | Conversatio Divina Immerse in the diverse collection of topics, curriculums and resources within our index Making it easier to navigate and find resources for life in Christ
Our History, Board Members and Team | Conversatio Divina Our resources span the teachings of Dallas Willard, Ignatius of Loyola, and Ancient Christianity, as we seek to engage a ‘divine conversation’ on what it means to follow Christ By this process, we become active participants in our spiritual lives
Conversations 8. 1: How We Change | Conversatio Divina We’ll attempt to do so every couple of months until all 28 issues live on Conversatio org I’ll highlight a few of the articles that appear in a particular issue, and zero in on one featured article and provide questions and suggest practices for individuals or groups who want to experience a class with the words of the writer
The Practice of Lament - Conversatio Divina The world has entered into a time of acute trial The death toll from the Coronavirus pandemic is mounting rapidly; the world’s economy is faltering; communities are broken and individuals isolated It is a season of grief, but it is important that it also becomes a season of lament When one experiences loss, grief is inevitable In St Augustine’s terms, we are each a collection of loves
Conversation Guide | Conversatio Divina Anne McLoughlin Anne McLoughlin talks about “a little rule” that will grow us in our spiritual life She uses the four walls of a cloister as a metaphor to guide us through that “little rule ” Just as the cloister creates sacred space and a sense of God’s presence for many people, so following the four principles of the “little rule” can bring God’s presence into our everyday
A Meditation on Rembrandt’s Return of the . . . - Conversatio Divina The well-known picture on the front cover of this journal, Rembrandt’s “The Return of the Prodigal Son,” depicts the homecoming of the wayward son who had squandered his inheritance in riotous living Measuring eight feet by six feet, this monumental work was painted near the end of his life in 1668 and reflected much of his own story Rembrandt 3 had been a prolific and financially