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- Neal Stephenson - Wikipedia
Stephenson's first novel, The Big U, published in 1984, is a satirical take on life at American Megaversity, a vast, bland, and alienating research university beset by chaotic riots [6] [7] His next novel, Zodiac (1988), is a thriller following a radical environmentalist in his struggle against corporate polluters [6]
- Neal Stephenson Books In Publication Chronological Order . . .
Neal Stephenson, whose niche is science fiction and fantasy and nonfiction, has been writing since early 1990s Stephenson debut in 1992 and his debut novel is entitled Snow Clash Standalone books aside, Stephenson has penned several other series of books ranging from a one-book series to trilogies to an octalogy to a 22-book series
- Neal Stephenson - Books Reading Order
In 1984 he moved to the Pacific Northwest where he also began writing his books The first Neal Stephenson book, The Big U, was was published the same year, and featured American Megaversity and life around it plagued by riots
- Stephenson, Neal 1959– - Encyclopedia. com
SIDELIGHTS: Neal Stephenson's first novel, The Big U, revolves around the American Megaversity, a huge, modern university, funded by a radioactive waste dump, and whose students arm themselves with machine guns
- Neal Stephenson - Open Library
Neal Town Stephenson (born October 31, 1959) is an American writer and game designer known for his works of speculative fiction His novels have been categorized as science fiction, historical fiction, cyberpunk, postcyberpunk, and baroque
- Neal Stephenson - Book Series in Order
Neal Stephenson, otherwise known as Stephen Bury, is a science-fiction writer with a deep love for the arts From a young age, Stephenson was fond of coming up with stories, and once he went full-time into writing, he has never stopped Some of his notable works include Reamde Anathem, Cryptonomicon, Snow Crash, and The Diamond Age Snow Crash
- SFE: Stephenson, Neal - SF Encyclopedia
(1959- ) US author whose first two novels – The Big U (1984) and Zodiac: The Eco-Thriller (1988) – both convey a strong sense that sf turns are just around the next page, but neither of which can justly be read as sf
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