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- The Killer review: David Finchers latest is as unfeeling as its subject
As a hired assassin in 'The Killer,' Michael Fassbender is chilling in a story that lacks a center
- Blue Beetle review: Xolo Maridueña DC film is authentic, sometimes . . .
It's in this atmosphere, in 2023, that Blue Beetle finally makes its debut with the first Latino character fronting their own superhero film, one that is written, directed, and starring Latinos
- Nimona is both energetic fantasy film and powerful queer story
While Disney continues to translate its animated classics into live-action and Pixar puts out subpar fare, Nimona 's release on Netflix continues 2023's record as a strong year for animation from
- Oppenheimer review: Christopher Nolans masterpiece is powerful, timely
The movie event of the summer is worthy of the hype Christopher Nolan's 'Oppenheimer' deserves the biggest screens possible to show off both its atomic fire and its passionate performances
- A Haunting in Venice review: Kenneth Branaghs best Poirot film yet
A Haunting in Venice review: Kenneth Branagh scares up his best Poirot film yet Branagh portrays Agatha Christie's favorite detective for the third time in this supernatural thriller
- Finally Dawn review: Lily James steals the show in Italian drama
Finally Dawn review: Lily James steals the show in Italian mid-century drama The Pam and Tommy star gives good mid-century movie star
- One of The Marvels shines brighter than the others
'The Marvels' juggles several complicated characters and plots (not helped by a weak villain), but Iman Vellani's Ms Marvel is a shining star Read EW's full review of the new MCU film
- Magazine Dreams review: Jonathan Majors is an unhinged bodybuilder
Leah Greenblatt is the former critic at large for movies, books, music, and theater at Entertainment Weekly She left EW in 2023
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