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- Carlos de Beistegui - Wikipedia
Beistegui died in 1970 at 38 Avenue Maréchal Joffre in Biarritz, France, with a limited will [1] His estate went to his brother, who did not want the Château de Groussay and gave it to his son Juan (Johnny) de Beistegui [5]
- Histoire de la famille de BEISTÉGUI : généalogie par Base . . .
La famille de Beistegui avait fait fortune en exploitant des mines d'argent au Mexique Carlos de Bestegui est un collectionneur mexicain d'origine basque né à Mexico en 1863 décédé à Biarritz en 1953, qui fut un très généreux mécène des musées et institutions culturelles françaises
- Antenna: The Beistegui family collecting tradition - Christies
‘Art and collecting were in the Beistegui family’s DNA ’ The collecting gene first manifested itself in Carlos de Beistegui, who was born in Mexico City in 1863 His family had originally migrated from Spain in the 18th century before amassing a great fortune
- queerplaces - Carlos de Beistegui
Beistegui met Emilio Terry in Biarritz in 1922 and they died within a month of each other in December 1869 and January 1970 [2] He is not to be confused with his namesake uncle (1863–1953), whose collection of notable 18th- and 19th-century paintings was donated to the Louvre
- Paris Hemispheres: The societies of the Beisteguis
When his nephew Carlos de Beistegui y De Iturbe was born the prefixes were firmly established in the family name Charlie, as he was also known in the circles in which he moved, was the prototype of a certain Latin American only at ease in the company of real princesses
- Tweedland The Gentlemens club: Carlos de Beistegui . . .
The family made its fortune there in silver, agriculture, and real estate but left Mexico after the execution of Emperor Maximilian in 1867 Beistegui was, however, born in France, to Mexican parents, and travelled under a Spanish diplomatic passport
- Beistegui | Comité dhistoire
Carlos de Beistegui, d’origine basque (né à Mexico en 1863, mort à Biarritz en 1953), d’une famille immensément riche fixée en France en 1876, amateur d’art éclairé, a entretenu dès le début du XXe siècle des liens avec le Cabinet des médailles
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