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- Più, meno, poco molto: How to write incremental dynamics?
Reading books on orchestration is like trying to learn a language by reading a dictionary Reading scores and listening to good recordings is probably the second best way to learn - especially if you enter the music into a notation program and compare the playback you get with the live version For the specifics in your question:
- Ritardando, Rallentando, and Allargando - Music: Practice Theory . . .
Three common musical markings for gradual slowing down are ritardando, rallentando, and allargando How do these differ from each other in interpretation and execution? For example, I was taught many
- Whats the difference between modal music and tonal music?
The term "modal" has expanded in more modern music to encompass any non-tonal music that uses a diatonic pitch collection and has a tonal center There are many types of music other than modal and tonal Some examples include:
- Polymeter vs Polyrhythm - Music: Practice Theory Stack Exchange
What is the difference between a polymeter and a polyrhythm? Do these words mean anything different for different instruments? PS: I'm a drummer
- piano - Music: Practice Theory Stack Exchange
It could be easier to answer more specifically if you could give the specific example of the song or sheet music
- Whats the difference between con brio and con fuoco?
There’s not much (if any) difference in the tempo they imply, but there’s a difference in character Literally, con brio means with spirit, while con fuoco means with fire Regarding tempo, both are traditionally taken to mean that it should be a little faster than it otherwise would be — allegro con brio fuoco a bit faster than a typical allegro, and similarly for presto con brio fuoco
- notation - D. S. , D. S. Al Coda, To Coda Confusion - Music: Practice . . .
I'm having a difficult time grasping quot;D S , D S Al Coda, To Coda quot; based on the online explanations I've come across Below is the specific example that I'm attempting to play Does the Dal
- In traditional (tonal) harmony, how is the word sonority used?
In contemporary harmony they might be called a "chord scale", or perhaps contemporary harmony allows so many types of chords that any set of notes fits the definition What is the usage of the word "sonority" in the history of music, and does it have a proper definition?
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