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- Emigre: Fonts
Emigre, Inc is a digital type foundry based in Berkeley, California Founded in 1984, coinciding with the birth of the Macintosh computer, the Emigre team, consisting of Rudy VanderLans and Zuzana Licko, with the addition of Tim Starback in 1993, were among the early adaptors to the new technology
- Emigre: Magazine
Emigre, Inc is a digital type foundry based in Berkeley, California Founded in 1984, coinciding with the birth of the Macintosh computer, the Emigre team, consisting of Rudy VanderLans and Zuzana Licko, with the addition of Tim Starback in 1993, were among the early adaptors to the new technology
- Emigre: Fonts by Zuzana Licko
Eventually, exposure of the typefaces in Emigre magazine resulted in demand for the fonts which lead to the creation of the Emigre Type foundry This growing library of digital typefaces, both experimental and traditional, is currently the principle activity and mainstay of Emigre
- Emigre: Base 9 12 Font Family
The Base fonts consist of three families; two families based on 12 point screen fonts (one serif and one sans serif family) named Base-12, and one family based on 9 point screen fonts named Base-9, consisting of a total of 24 individual faces When Base was designed in 1994-95, the goal was to create a comprehensive family of screen fonts with companion printer fonts, somewhat similar in
- About Emigre
From 1984 until 2005 Emigre published the legendary Emigre magazine, a quarterly publication devoted to visual communication Emigre created some of the very first digital layouts and typeface designs winning them both world-wide acclaim and much criticism
- Emigre: Mrs Eaves XL Serif Narrow Font Family
Designed by Zuzana Licko in 2009 One area where the original Mrs Eaves seems less comfortable is in the setting of long readerly texts, particularly in envi
- Emigre: Democratica Font Family
Designed by Miles Newlyn in 1991 Character Set Type Tester Add to Cart
- Emigre: Tarzana Font Family
Designed by Zuzana Licko in 1998 These two families of sans-serif text faces were developed purely along formal lines The goal was to balance the neutralit
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