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- Jean-Auguste-Dominique Ingres | French Neoclassical Painter | Britannica
Jean-Auguste-Dominique Ingres (born August 29, 1780, Montauban, France—died January 14, 1867, Paris) was a painter and icon of cultural conservatism in 19th-century France Ingres became the principal proponent of French Neoclassical painting after the death of his mentor, Jacques-Louis David
- Jean-Auguste-Dominique Ingres - The Art Story
With a daring blend of traditional technique and experimental sensuality, Jean-Auguste-Dominique Ingres reimagined Classical and Renaissance sources for 19 th century tastes A talented draftsman known for his serpentine line and impeccably rendered, illusionistic textures, he was at the center of a revived version of the ancient debate: is
- Jean-Auguste-Dominique Ingres - National Gallery of Art
Jean-Auguste-Dominique Ingres, François Seraphin Delpech, Odalisque, 1825, published 1826, lithograph on wove paper, Rosenwald Collection, 1946 21 117
- Jean-Auguste-Dominique Ingres – A Master of Neoclassicism
Jean-Auguste-Dominique Ingres was a French artist who was part of the Neoclassicism movement in the 1800s Ingres’ paintings such as La Grande Odalisque (1814) displayed his desire to maintain the principles of the academic art traditions in defiance of the emerging Romantic movement
- Jean Auguste Dominique Ingres - Artvee
Jean-Auguste-Dominique Ingres was a French Neoclassical painter Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style
- Jean-Auguste-Dominique Ingres - Smarthistory
A French painter often associated with Neoclassicism and seamless surfaces, Ingres’ academic tendencies also held Romantic and Orientalist elements Dates 1780–1867
- Ingres, Jean-Auguste-Dominique - The Publics Library and Digital Archive
Ingres, Jean-Auguste-Dominique (1780-1867) French painter, born at Montauban, the son of a minor painter and sculptor, Jean-Marie-Joseph Ingres (1755-1814) After an early academic training in the Toulouse academy he went to Paris in 1796 and was a fellow student of Gros in David 's studio
- Jean-Auguste-Dominique Ingres: Art Style
Jean-Auguste-Dominique Ingres remains a pivotal figure whose work bridges classicism and modernity His dedication to academic drawing technique masks the revolutionary aspects of his practice—the flattening of space, emphasis on decorative pattern, and strategic anatomical liberties
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