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- The Cantos Project - A Draft of XXX Cantos - ezrapoundcantos. org
The Cantos on Wikipedia; List of cultural references to The Cantos; C F Terrell's Companion on googlebooks; The Cantos at Amazon The Cantos Project by Roxana Preda is licensed under a Creative Commons Attribution-NonCommercial 4 0 International License
- The Cantos Project - A Draft of XXX Cantos
A Draft of XXX Cantos Eleven New Cantos 31-41 Fifth Decad of Cantos 42-51 Cantos LII-LXXI 52-71 The Italian Cantos 72-73 The Pisan Cantos 74-84 Rock Drill
- The Cantos Project - canto XIII title page - ezrapoundcantos. org
By 1930, in the Hours Press edition of A Draft of XXX Cantos, the repeat had been reduced to two lines (without the middle line: “I mean for the things they didn't know”), in a sort of echo-effect, which suggests that between 1925 and 1930, Pound had seen the repeat and was considering keeping it
- Inferno 30 – Digital Dante - Columbia University
Dante devotes the first twenty-one lines of canto XXX to two classical examples of madness, one Theban and the other Trojan The first is Athamas who, driven insane by Juno as part of her revenge on Semele, is responsible for the deaths of his wife Ino, Semele’s sister, and their two sons (1-12); the second is Hecuba, reduced to barking like
- The Cantos Project - The Pisan Cantos LXXIV-LXXXIV
Dominant Themes in Ezra Pound’s 1930s and 1940s Cantos (Cantos XXXI-LXXXIV) Lambert Academic Publishing, 2010 MacLeish, Archibald Poetry and Opinion: The Pisan Cantos of Ezra Pound A Dialog on the Role of Poetry Evanston: University of Illinois Press, 1950 Makkouk, Katrina
- The Cantos Project - canto I title page - ezrapoundcantos. org
CANTO I CALENDAR OF COMPOSITION First published in A Draft of XVI Cantos, (Three Mountains Press, 1925), Canto I is a reworking of the last part of Three Cantos III (1917) [For a more comprehensive Calendar, please consult the one for the Three Cantos] ACKNOWLEDGMENT Correspondence by Ezra Pound: (c) Mary de Rachewiltz and the Estate of
- Cantos XXXII-XXIII - CliffsNotes
Summary Whereas earlier, Dante searched for rhymes that would help alleviate the suffering of the shades in the upper circles, now he calls out for "rhymes rugged and harsh and hoarse fit for the hideous hole" [Sayers' translation] — horrible words befitting the utter horror of this most horrendous place, the very bottom of Hell, reserved for the most heinous sinners
- ITAL 310 - Lecture 9 - Inferno XXX, XXXI, XXXII, XXXIII . . .
Dante in Translation ITAL 310 - Lecture 9 - Inferno XXX, XXXI, XXXII, XXXIII, XXXIV Chapter 1 The Mode of the Tragic [00:00:00] Professor Giuseppe Mazzotta: We are going to try to finish with Inferno today and I would like to look at the last Cantos XXX, XXXI, XXXII maybe a little bit, XXXIII for sure, and there are a couple of details in XXXIV
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