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- Naima - Wikipedia
"Naima" ( n aɪ ˈ iː m ə ny-EE-mə) is a jazz ballad composed by John Coltrane in 1959 that he named after his then-wife, Juanita Naima Grubbs Coltrane first recorded it for his 1959 album Giant Steps, and it became one of his first well-known works
- Fiberglass Insulation | Manufacturers | About NAIMA
NAIMA (North American Insulation Manufacturers Association) is the recognized voice of the insulation industry, bringing together North American manufacturers of fiberglass and mineral wool insulation products
- North American Insulation Manufacturers Association (NAIMA)
The North American Insulation Manufacturers Association (NAIMA) is a trade association of North American (United States, Canada and Mexico) manufacturers of fiber glass, rock wool and slag wool insulation products
- John Coltrane - Naima (2020 Remaster) [Official Audio]
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plu
- Naima John Coltrane - Jazz for Piano
‘Naima’ was introduced on the 1959 album ‘Giant Steps’ It is an example of Coltrane’s brilliant solution to one of the major dichotomies of modern Jazz – how can you create a piece of music that is interesting harmonically but does not tie the hands of improvisers with complex changes
- Jazz news: John Coltrane: Naima - All About Jazz
Naima is a ballad that's so slow and reverential that it seems to stand still, suspended in mid air Written as a love letter to his first wife, Naima, the song was Coltrane's favorite composition “The tune is built on suspended chords over an E-flat pedal tone on the outside," Coltrane told Nat Hentoff for the album's original liner notes
- NAIMA — American Rockwool
NAIMA is the recognized voice of the insulation industry in North America, representing manufacturers of fiberglass, rock wool (mineral wool), and slag wool insulation products
- Naima - The Ethan Hein Blog
I’ve been doing so much explaining basic music theory that I thought it would be fun to dig into something advanced: “Naima” by John Coltrane, from his all-killer-no-filler album Giant Steps There are as many interpretations of this tune’s chord changes as there are transcriptions of it
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