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- The Colonialist Gaze of Matisses Odalisques - JSTOR Daily
Henri Matisse’s odalisques, or reclining nude females, were inspired by trips to exotic French colonies But what was the story outside the frame? The icon indicates free access to the linked research on JSTOR Is the odalisque inherently problematic?
- ODALISQUE Definition Meaning - Merriam-Webster
The meaning of ODALISQUE is an enslaved woman
- Odalisque - Simple English Wikipedia, the free encyclopedia
An odalisque (Ottoman Turkish: اوطهلق, Turkish: odalık) was a chambermaid or a female attendant in a Turkish seraglio, particularly the court ladies in the household of the Ottoman sultan In western usage, the term came to mean the harem concubine They were often shown in paintings They started a genre
- Odalisque, Enslaved Woman, and Eunuch | Harvard Art Museums
The central figure of the odalisque (a concubine in a harem) represents Ingres’s reinterpretation of the Western classical tradition of the female nude in the modern context of the Middle Eastern “other ”
- Jean Auguste Dominique Ingres | Odalisque in Grisaille | The . . .
This painting is an unfinished repetition, reduced in size and much simplified, of the Grande Odalisque of 1814 (Musée du Louvre, Paris), a work that was central to Ingres’s conception of ideal beauty It was executed in Paris between 1824 and 1834, a period bracketed by lengthy sojourns in Italy
- What does odalisque mean? - Definitions. net
An odalisque is a female slave or concubine in a harem, particularly one in the harem of the Turkish sultans during the Ottoman Empire The term is also often used in Western art and literature to depict exotic and romanticized images of the Eastern world
- odalisque, n. adj. meanings, etymology and more | Oxford English . . .
What does the word odalisque mean? There are two meanings listed in OED's entry for the word odalisque See ‘Meaning use’ for definitions, usage, and quotation evidence
- Odalisque - Oxford Reference
A female slave in an oriental harem The odalisque was adopted as a subject by a number of French artists in the 19th and 20th centuries, most famously by Ingres (whose 1814 Grande Odalisque is in the Louvre, Paris), and was usually shown nude or semi-nude, reclining in a voluptuous manner
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