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  • Sapeh - Wikipedia
    Sapeh (also spelled sape, sapeʼ, sapek, or sampeq; sʌpɛʔ ) is a traditional string instrument indigenous to the interior of Borneo
  • 35 Minutes Instrumental Sape Music | Borneo Island Traditional . . .
    The most typical of Sarawak musical instruments, the sape, pronounced "sa-peh", is a traditional lute of the Orang Ulu community or "upriver people" of central Borneo
  • Anderson Kalangs Origin Story Of The Sape Instrument
    The Sape’ is a healing ritual instrument that originated from the Kenyah people of the Orang Ulu group that includes the Kayan, Penan, Lun Bawang, Kelabit and many more minority native tribes
  • Why the Sape is such an enchanting instrument - New Straits Times
    IN Sarawak, a traditional lute known as the Sape echoes the cultural legacy of the Orang Ulu Traditionally associated with the Kenyah, Kayan, and Kelabit tribes, the Sape transcends its historical roots, evolving from a healing instrument to a form of social entertainment
  • Exploring Indonesia #8217;s Traditional Sape: The Iconic String . . .
    In the Dayak language, Sape means “to pluck with the fingers,” aptly describing the technique used to play it The instrument is crafted from select woods such as aro, marong, or pelantan and is adorned with intricate carvings that reflect the distinctive motifs of the Dayak culture
  • EVOLUTION OF SAPE: FROM LONGHOUSE TO THE INTERNATIONAL STAGE Connie Lim . . .
    sia This musical instrument is often used as the symbol in promoting Malaysia in the areas of arts, culture and tourism It is also the symbol of the state of Sarawak In Sarawa , sape is the traditional instrument of the Kenyah, Kayan, Kelabit, Penan and other ethnic tribes of Orang Ulu community living in
  • Sape - asza. com
    Sapes are carved from a single bole of wood, with many modern instruments reaching over a metre in length Initially the sape was a fairly limited instrument with two strings and only three frets Its use was restricted to a form of ritualistic music to induce trance
  • (PDF) Lim, C. K. N. , Abdul Rahman, M. F. (2016). Evolution of Sape . . .
    Hence, this paper aims to trace the development of sape in terms of its physical structure and the evolution of sape from the perspective of its performance practice and repertoire Sape has evolved from a two-stringed instrument to six-stringed variants with broader note ranges


















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