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- Stereophonic (play) - Wikipedia
Stereophonic is a dramatic stage play with music, written by American playwright David Adjmi Music written for the play was composed by Will Butler from the indie rock band Arcade Fire [1] The play follows a fictional rock band on the cusp of superstardom as they struggle through recording their new album set from 1976 to 1977 [2]
- Stereophonic | Now On Tour in the U. S. | Now Playing in London
Stereophonic is now playing in theaters across the US and on the West End in London The most Tony Award-winning Show of the year The most Tony Award-nominated Play of all time
- Everything you need to know about Stereophonic on Broadway
Learn more about Stereophonic before taking your seat behind the mixing console at the Golden Theatre What is Stereophonic about? Stereophonic’s fictional, nameless five-member band draws parallels to the British-American rock band Fleetwood Mac — and the infamous recording of its seminal album Rumours Set in a California recording studio
- STEREOPHONIC | Official London Website
It’s 1976 and one band are about to break through, break down, or break up… Step into the studio with the record-breaking, record-making new play Stereophonic Plug into the electric atmosphere as one up-and-coming rock band record the album that could propel them to superstardom
- Stereophonic is the inside story of a Fleetwood Mac-style . . .
Stereophonic, a new play on Broadway with music by Arcade Fire's Will Butler, tracks the volatile creation of a rock and roll album over the course of a year in the 1970s
- Stereophonic | Concord Theatricals
Stereophonic mines the agony and the ecstasy of creation as it zooms in on a music studio in 1976 Here, an up-and-coming rock band recording a new album finds itself suddenly on the cusp of superstardom The ensuing pressures could spark their breakup – or their breakthrough
- Stereophonic | State Theatre New Jersey
Written by David Adjmi, directed by Daniel Aukin, and featuring original music by Arcade Fire’s Will Butler, Stereophonic invites the audience to immerse themselves—with fly-on-the-wall intimacy—in the powderkeg process of a band on the brink of blowing up
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