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  • Taking Submissions: Unréal - The Horror Tree
    La période de soumission pour l’anthologie Unréal est ouverte du 15 août 2024 au 15 novembre 2024 Exigences : Nous recherchons des histoires et des poèmes en FRANÇAIS ou en ANGLAIS comportant des éléments fantastiques ou spéculatifs se déroulant sur l’île de Montréal
  • Taking Submissions: Diabolical Thoughts: Telepathy (Early . . .
    Diabolical Thoughts Theme We are seeking telepathy stories of every shape and style Stories might be as intimate as mind-readers in love, forever seeing themselves through their lover’s eyes; or as harrowing as a telepath on the battlefield, drowned in every iota of pain, fear and grief felt for miles
  • Unholy Trinity: Deathbed, Probe Postmortem by Paul Lonardo
    Paul Lonardo is a freelance writer and author with numerous titles of both fiction and nonfiction books He’s placed short stories and nonfiction articles in various genre magazines and ezines
  • Taking Submissions: The Toilet Zone - Horror Tree
    We have based story length upon the average time spent upon the convenience (10-15 mins) and the average reading speed (200-250 words per minute), so that the stories within this exceptionally unique anthology will be the perfect ‘per visit’ length!
  • Taking Submissions: Compelling Science Fiction - Horror Tree
    Deadline: January 9th, 2022 Payment: 8 cents 6 pence per word for original stories, 6 cents 4 pence for reprints Theme: Compelling science fiction Note: Reprints Welcome
  • 6 Unique Traits To Be A Good Horror Writer
    Your evil characters should be motivated; Malevolence does not occur in a vacuum It must have a strong and clear motivation When you reveal the motivations of the evil characters and happenings in your story, it helps makes them more real to the readers and contributes to the mystery of the story
  • Ongoing Submissions: Menagerie - The Horror Tree
    RAINER MARIE RILKE, LETTERS TO A YOUNG POET Menagerie publishes fictions, essays, and poems We believe in sentences so sharp they draw blood, the strange and inexplicable, the wild and weird and uncanny, words in thickets, clusters, and flocks, pieces that move us beyond caring what others think about said pieces


















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