安裝中文字典英文字典辭典工具!
安裝中文字典英文字典辭典工具!
|
- Pibroch - Wikipedia
Pibroch, piobaireachd or ceòl mòr is an art music genre associated primarily with the Scottish Highlands that is characterised by extended compositions with a melodic theme and elaborate formal variations Strictly meaning 'piping' in Scottish Gaelic, piobaireachd has for some four centuries been music of the great Highland bagpipe [1]
- Explore by Tune - pibroch
If you are new to pibroch or want to browse through all 313 tunes, then you have four options: To scan the variant titles (English and Gaelic), use the table below To scan by tonality (the choice of pitches and their relative prominence), use A map of the pibroch landscape, 1760–1841
- Early Gaelic Harp Info: Ceòl mór
Ceòl mór (big music), or pìobaireachd (piping) or pibroch, is the formal art music of the Scottish highland bagpipes 1 However, in previous centuries, similar music was also played on fiddle and on the early clàrsach (early Gaelic harp) 2, and many scholars have suggested that the modern living pipe tradition has its origins in the lost
- PIBROCH | definition in the Cambridge English Dictionary
PIBROCH meaning: 1 a type of Scottish music played on a bagpipe (= an instrument played by blowing air into a bag… Learn more
- About Piobaireachd (Pibroch) - All Celtic Music
Piobaireachd - anglicised as 'pibroch' - is the term applied to a species of music composed solely for and played solely on the Highland pipe It cannot be satisfactorily reproduced on any other instrument
- PIBROCH Definition Meaning - Merriam-Webster
The meaning of PIBROCH is a set of martial or mournful variations for the Scottish Highland bagpipe
- Pibroch - Wikipedia
Pibroch, or Ceòl Mòr (meanin muckle muisic in the Gaelic), is a kynd o muisic that is played on the bagpipe Til the early 19t-centurie, these traditions were haunit doon throu oral tradition
- The Pibroch, music of the origins - page 1 - ericdentinger. com
The Pibroch or Pìobaireachd in Gaelic is the very first musical genre for the Scottish Highland bagpipe since the 16th century: quite far from its style and melodies of the so-called
|
|
|