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- dynamics - Does Sforzando really mean a stronger accent? - Music . . .
I come across sforzando a lot as an arranger and even just as a classical music listener I was told by my piano teacher that sforzando means a stronger accent than your typical accent mark But I have seen multiple interpretations of sforzando in music You don't have to look any further than Mozart and Beethoven to see all those interpretations
- dynamics - Difference between fz, sz and f - Music: Practice Theory . . .
sforzando, sforzato (It ) 'Forcing', 'forced', i e , accented 'Forcing', 'forced', i e , accented In the 19th century it was used to mark an accent within the prevailing dynamic, but it has now acquired the connotation of sudden loudness; it is abbreviated sf or sfz
- classical music - Beethoven repeated sforzando - Music: Practice . . .
Sforzando (or sforzato or forzando or forzato), indicates a forceful accent and is abbreviated as sf, sfz or fz So in the example below, the off-beat sixteenths are meant to be accented: To the second part of your question, while I'm sure there are period descriptions of dynamic markings, I am not sure what they are
- the difference between SF and an accent mark [duplicate]
sf = sfz = sforzando sforzato sf = subito forte Subito forte is a (sudden) change in dynamics to forte
- Dynamics using m, r, s, and z. What do they mean?
sffz, sfffz are not uncommon They, like any other sforzando indication (sfz, smfz, etc ) mean a forced attack at the beginning of the note and immediately lowering to the indicated volume At fff, the sforzando is obviously enough very forced to be hearable in contrast to the following fff
- What is the difference between accent and sforzando?
However sforzato and or sforzando (sf and sfz) are dynamics They are dynamics and mean with sudden emphasis in the sense of sudden change of the volume So summarizing: accents like ^ and > are similar to dynamic instructions like sforzando and sforzato, but they are not the same
- Is sforzando on two beats sensible? Are there alternatives?
Sforzando and related markings apply only to individual notes, so the single sffz on two adjacent notes within the same measure is technically incorrect, and I personally would find it confusing Consider a sub ff followed by a separate marking to return to the prevailing dynamic
- Sforzando but fortissimo, how to fix that? - Music: Practice Theory . . .
I could adjust the note velocity of each individual sforzando but then I would need to know the note velocity of the first note in every measure where a sforzando is before the forte and that requires knowing how long the crescendo is and the note velocity of piano and forte
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