安裝中文字典英文字典辭典工具!
安裝中文字典英文字典辭典工具!
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- How to Avoid Clichés and Bad Metaphors | Eschler Editing
Take-home message: A good metaphor should draw on an image or event the reader already has familiarity with (or can easily imagine) in order to bring understanding to the idea you are trying to elucidate
- Why We Love Clichés and Struggle to Avoid Them - Substack
One way to ward off impoverishment is to fill your well Record ideas, phrases, and snippets of language that delight you Listen for uniqueness of expression Pay attention to original characters in the world What are they doing and saying and wearing? How are they acting? Avoid clichés by practicing the art of noticing what you find original
- Storyville: Ten Ways to Avoid Cliches and Stereotypes
Here are ten suggestions for how you can avoid stereotypical stories, characters, plots, formats and other aspects of great fiction
- How to Avoid Clichés (Like the Plague) - The Write Practice
Here are some ideas for how to avoid clichés in our writing Write them out When working on a first draft, just write Don’t stop your writing flow to eliminate a cliché or you may find yourself lost online researching better ways to write the character “made out like a bandit” or “got a knuckle sandwich ”
- 5 Ways to Avoid Clichés - Classy Writing
Research – Visit sites such as Cliché Finder for examples of clichés if you’re not sure if you’ve used them Look up words or phrases in a dictionary or in a thesaurus to find fresher alternatives with the same meaning
- 10 Tips to Avoid Clichés in Writing - Writers Digest
The best way to avoid cliché is to practice sincerity If we’ve come by sensational material honestly, through our own personal experience or imagination, we may rightly claim it as our own Otherwise, we’d best steer clear
- Cliché: What It Is and How to Avoid It | Humbot
One of the best ways to avoid clichés is to read widely and pay attention to the language and techniques other writers use This will help you develop your own unique voice and give you a better understanding of what works (and what doesn’t) in writing
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