A Clockwork Orange (film) - Wikipedia It is based on Anthony Burgess 's 1962 novel The film employs disturbing and violent themes to comment on psychiatry, juvenile delinquency, youth gangs, and broader social, political, and economic issues in a dystopian near-future Britain
A Clockwork Orange (1971) - IMDb A Clockwork Orange: Directed by Stanley Kubrick With Malcolm McDowell, Patrick Magee, Michael Bates, Warren Clarke Alex DeLarge and his droogs barbarize a decaying near-future
A Clockwork Orange | Summary, Analysis, Facts | Britannica A Clockwork Orange, novel by Anthony Burgess, published in 1962 It is set in a dismal dystopian England and presents a first-person account of a juvenile delinquent who undergoes state-sponsored psychological rehabilitation for his aberrant behavior
A Clockwork Orange movie review (1972) | Roger Ebert We’ll probably be debating “A Clockwork Orange” for a long time — a long, weary and pointless time The New York critical establishment has guaranteed that for us
A Clockwork Orange - Rotten Tomatoes A Clockwork Orange isn’t mere controversy; it’s art Kubrick transforms violence into a hypnotic, balletic statement, using it to explore free will, moral decay, and societal control
Watch A Clockwork Orange | Netflix In this dark satire from director Stanley Kubrick, a young, vicious sociopath in a dystopian England undergoes an experimental rehabilitation therapy Watch trailers learn more
Clockwork Orange The Disturbing Brilliance Of A Cult Classic From the very first frames, Kubrick’s unique visual storytelling sets A Clockwork Orange apart With its vivid colors and symmetrical compositions, Kubrick channels the spirit of surreal art movements like Dadaism
Analysis of Anthony Burgess’s A Clockwork Orange An innovative and violent three-part novel that formed the basis for an equally provocative 1971 film adaptation of the same name, A Clockwork Orange portrays a dystopian near-future world
A Clockwork Orange (1971) - Stanley Kubrick - AllMovie It is based on Anthony Burgess's 1962 novel The film employs disturbing and violent themes to comment on psychiatry, juvenile delinquency, youth gangs, and broader social, political, and economic issues in a dystopian near-future Britain