Political Minimalism - Artsy A nonstandard term, contemporary political Minimalism describes contemporary artistic practices that use forms of Minimalist art to critically deal with cultural or political subjects
Was Minimalist art a political movement? | The New Criterion And the facts were invariably aesthetic in nature Now, however, we learn that we’ve been wrong all along Minimalism wasn’t mute; we were just deaf to its voice, a voice sharply political in character and raised in criticism of bourgeois society, the art gallery, and the museum
The Hollow Politics of Minimalism - The New Republic The minimalism he finds is not about getting organized in order to regain control (or the illusion thereof); it’s about exploring the artistic and existential possibilities of reduction
The Politics of Minimalism - THE LONDON LIST As well as mere aesthetics, there was a socio-political aspect to why the wealthy suddenly desired simplicity The haute bourgeoisie of interwar Europe felt the social pressures of a new age which called for simpler and more affordable furniture
Judicial minimalism - Wikipedia Judicial minimalism refers to a philosophy in United States constitutional law that promotes a politically moderate viewpoint such as that of former Supreme Court justice Sandra Day O'Connor
Minimalism | Origins, Characteristics Influences | Britannica Minimalism, chiefly American movement in the visual arts and music originating in New York City in the late 1960s and characterized by extreme simplicity of form and a literal, objective approach
A THEORY OF MINIMALIST DEMOCRACY - National Bureau of Economic Research in political philosophy, political science, and political economics Indeed, a minimalist conception of democracy, dis-cussed in Schumpeter (1942) and later in Przeworski (1999) and others, simply puts competi-tive elections as the fulcrum of the very definition of democracy: “A system in which rulers are selected by competitive elections
The Minimalist Conception of Democracy As Informed by The Works of . . . Chapters two and three examine the works of the two most influential minimalists, Schumpeter and Riker, respectively These chapters examine the minimalist aspects of both theorists and note that, in entirely unique manners, both reach the minimalist conclusion