string instruments - What gives a Chinese Pipa its unique timbre in . . . 5 Similar to this broader question How do East Asian instruments (Shamisen, pipa, etc ) get their unique sound? Though they a similar in many ways a guitar and a pipa sound very different Could you explain what gives a pipa its unique character in costrast to a guitar or in terms a guitarist could relate to?
How to adjust the vertical placement of markups in Lilypond Using Lilypond 2 20 on Ubuntu 20 04 This code: %% fingering symbols fngaLong = \finger\markup{\box{\pad-markup #0 2 \override #'(font-name "pipa") \fontsize #7 "a-"}} \appoggiatura{c8-3} a2-1\trill\fngaLong renders like this: But I must place the trill under the boxed fingering symbol In another word, I must swap the vertical position of the trill symbol and the boxed fingering
Slurs with arrows for glissando-alikes in Lilypond, how to? I'm using Lilypond 2 20 on Ubuntu to engrave scores for the instrument pipa Slurs with arrow is a very common notation in many east Asian music pieces It sounds similar to glissando in some degre
Music notation software for JianPu and erhu notation My wife's band, which features the erhu, uses music notation like the page shown below We want to take hand-written scanned faxed from stained napkins with bad handwriting and two-side bleedthrou
What is a raga? - Music: Practice Theory Stack Exchange I think the "non-constructible set" concept is actually more confusing than descriptions of what a raga is As far as I can tell, a raga is a whole group of musical concepts put together to form a framework from which an entire work of music can be created It is more than just a key signature or scale, although all ragas seem to have at least one scale in them Some components that ragas may
Shall I stop my daughters violin practice or how should I adjust Western classical instruments—and most Asian traditional instruments like erhu and pipa—are usually taught mainly by a one-on-one ("master disciple") structure, with fairly formal expectations ("this is the right note, that is the wrong note") and procedural expectations ("you must practice 20 minutes a day")