lilypond:: tacet - Music: Practice Theory Stack Exchange In German music-notation, we know the term "tacet" in order to say the musician not to play his chords for a while How can that be typeset with lilypond? It's similar to "N C ", but in most common
composition - Music: Practice Theory Stack Exchange Here's one version of Loge's motive, screenshot from this video: The key character of this motive is colored in red And at the end of Act 2 of Götterdämmerung, in 03:06:10 of this video, we can h
Counting long rests in music - Music: Practice Theory Stack Exchange I appreciate the notated cue in this part but I really dislike the unmeasured "Tacet until" rest; if I'm sight-reading a piece I'd really like to have a rough idea of how long until I come in In the best of both worlds you'd have both the counted-out rests and the trumpet cue
I have a D#3-D6 range. . . what do I do? - Music: Practice Theory Stack . . . can be a bit disappointing, though; I discovered in middle age that I actually have 3 octaves range, but the teacher prefers I focus on tenor, not counter-tenor, and in choir they need these most of course; meanwhile I got a few MORE notes on BOTH ends thanks to the teacher though and can even do a passable bariton now; just sing, however you
Notation: How to notate a note at the start of the first bar that is . . . The classic solution would be to begin the repeat with the second measure and, if necessary, use first- and second-ending markings at the end of the repeated section, where the first ending contains the measure in question including the desired octave chord Another possibility is just to write "second time only" or "omit first time" over the octave chord, perhaps placing parentheses or square
theory - An effective method for counting and identifying time . . . For opeth: The opening starts with 4 bars of 4 4 Then switches to 3 4 for 4 bars then 1 bar of 4 4 and 6 4 then repeats A few of these bars are not in perfect time and can be considered to have an additional 1 16 note in them They are the tacet bars and so there is no absolute way to determine the meter (cause there isn't any) It is easier to just assume that the meter does not change in
Lilypond tuplets - Music: Practice Theory Stack Exchange As can be seen in the image, some composers mix the note types used in tuplets In this case, there are two eighths and a half note (equal to 4 eighths) The total duration is 6 eighths in triple