composition - The Elements of the Oratorio - Music: Practice Theory . . . Oratorios are similar to operas, but are unstaged, and are based on religious topics Some common examples include: Handel's Messiah, Saul, Israel in Egypt, and Esther; Bach's Christmas Oratorio (and, arguably, his two Passions, which are essentially similar in form), Haydn's Creation, and Mendelssohn's Elijah and Christus
strings - Workflow of composing an oratorio? - Music: Practice Theory . . . First and foremost: don’t write an Oratorio, Cantata, Symphony or major orchestrated forms as your first work Or second, or even tenth A sure proficiency of counterpoint at least you will need for your project I’m stating this because it’s easier to complete a piece when you have developed your craft enough
Describing the difference between a mass and an opera? As for what makes a mass, as a type of work, different from an opera, let's answer a different question first: what makes an oratorio different from an opera? The most famous oratorio is easily Handel's Messiah, but it's a bit of an atypical example Take a different Handel oratorio then, Israel in Egypt Like an opera, it has a storyline
How did Baroque music come to be associated with Christmas? The special case of a Christmas oratorio did not gather a whole lot of traction in times after the Baroque, so the usual season-specific performances will tend to be in the baroque spirit It's also the season of Eastern European street musicians who interrupt their music professorships to come scare the heebie bejeebies out of the local
history - Is Beethovens 9th symphony the first piece that combined a . . . Handel's Messiah features a chorus and an orchestra, but Handel's Messiah is not a symphony, it is an oratorio Beethoven's Choral Fantasy is not a symphony And by way of establishing my credentials, I'm the volunteer business administrator for the Atlanta Baroque Orchestra, which has been performing for fifteen years
ear training - Music: Practice Theory Stack Exchange However, since ear training is a common practice in many educational institutions, and memory training is common, then it's reasonable to conclude that not only is it possible to learn "simple" recall and recording, but many musicians go through significant effort to improve their skills in this area
Accepted ranges for SATB choral works? I am writing an a Capella choral work I need to know if the following ranges are reasonable or not S1: Eb4-Ab5 (One S1 is assigned an optional Db6) S2: Eb5-Gb5 A1: C4-F5 A2: C4-F5 T1: C3-Bb4
What forms can a classical composition be? [closed] Oratorio: Similar to an opera, but unstaged and usually on a sacred theme Cantata: Usually religious, similar to an oratorio, but much shorter Suitable for inclusion in a church service Instrumental works; Sonata: A piece for a solo instrument (often with accompaniment)
How did baroque composers relate to human emotions? There is, in fact, a very deliberate relationship between Baroque music and emotions This is a fascinating topic that sits at the intersection of muisc, history, philosophy, and rhetoric