Lets Talk Technicolor: 2-Strip, 3-Strip, Everyone Strip As Three-strip Technicolor gave way to Eastman stock on a single strip of film, the Technicolor process in labs thrived throughout the late 1950s through the 1960s, eventually giving way to a more "naturalistic" look
Are Technicolor and Deluxe still relevant? - Steve Hoffman Music Forums Technicolor sorta kinda exists in digital filmmaking today, in three ways: 1) Technicolor still exists as a post-production facility, though all their labs in North America are now closed; 2) filmmakers sometimes want a very vivid, old-school "Technicolor look," which we can do electronically simply by punching up the saturation levels; and 3
Lets Talk Technicolor: 2-Strip, 3-Strip, Everyone Strip Technicolor then becomes extremely narrow if we exclude everything that's not a restoration from the OG negs, or a scan of an IB print Besides, I thought that the "Everyone Strip" in the title should cover the rest of the Technicolor gamut, whatever that is, and how we view it
Films with the Movielab or Metrocolor process Note that Technicolor, CFI, Metrocolor, and Movielab all used similar lab practices and Kodak stock, so there was no real technical difference between the work they did There were studios that would shoot on Kodak negative stock but print on Fuji film in order to save a few cents
Star Wars in Technicolor IB | BFI | Steve Hoffman Music Forums In our latest Inside the Archive video we go far, far away - all the way back to 1977 - to examine an original IB Technicolor dye-transfer print of Star Wars (Dir George Lucas, 1977), held in the BFI National Archive's collections
Do you like movies shot in technicolour? - Steve Hoffman Music Forums Any film you see that had the Color by Technicolor® logo at the end wasn't necessarily released as a Tech IB print, nor was it shot in 3-strip Process 4 Technicolor For the vast part of the last 40 years, Technicolor was just a big film processing lab with worldwide branches in NY, Burbank, London, Vancouver, Toronto, Tokyo, Rome, and many
Best looking three strip Technicolor film on blu-ray Again, not a 3 strip Technicolor movie It looks stunning because of the extra clarity of the Vistavision process (twice the film area), and probably the release prints were done by Technicolor, but the film itself was shot on "conventional" modern Eastman color negative, and not on three separate B W negatives (which is what 3-strip consisted in)